The most recent expressive vein dominating studio practice has been the Edifice and Gorge series of vessels. Emerging from earlier faceted sculptural works, these often large-scale forms extend an ongoing investigation into mass, void, and contained space. They draw on sustained encounters with the landforms of Central Australia and the East Kimberley, not as representations, but as tectonic experiences—of erosion, compression, and geological duration.

Positioned between vessel and structure, the works assert a quiet architectural presence. Interior volumes are considered as exterior surfaces, with thresholds, apertures, and cavities shaping the relationship between object and surrounding space. Fired surfaces carry a material memory—accumulated ash, flux, and stratification—that echoes processes of weathering and accretion found in the landscape.

Within contemporary architectural settings, these works function as spatial anchors rather than ornaments. They hold space through weight, scale, and stillness, offering moments of pause and density within otherwise fluid environments. The vessels operate simultaneously as objects and sites, inviting slow engagement and attuned looking over time.

Conceived for architectural contexts.

The works are suited to residential, commercial, and public settings where sculptural presence and spatial clarity are valued. Commissions and collaborations are welcomed, with each piece developed in dialogue with architects and designers to respond to site, circulation, and surrounding material language.